Detail from SIFF 2016 Poster [Poster Design by Kostnantia Manthou]
Detail from SIFF 2016 Poster [Poster Design by Kostnantia Manthou]

SIFF 4: Revision

Amidst a changed festival, SIFF focuses on the theme of “Revision”: the strangest of all movie qualities, the ability to evince new forms from a re-animated film strip; to see anew by looking again. What this theme means to cinema carries the program to many underexplored areas, from the cross-pollination between genres to the slow-motion camera that reveals movement to the eyes of science, to personal projects that reach out to touch a changing society.

ctl 2016 1
Screenshot 2021-07-01 at 11.33.19
ctl 2016 3
ctl 2016 4
Screenshot 2021-07-01 at 11.32.42
ctl 2016 5
Screenshot 2021-07-01 at 11.31.55
ctl 2016 7

Catalog Design by Chrisanthi Koumianaki

Stanley Kubrick’s 2001: A Space Odyssey at the SIFF‘s Drive-In [Photo by Myrto Tzima]
Stanley Kubrick’s 2001: A Space Odyssey at the SIFF‘s Drive-In [Photo by Myrto Tzima]

Further Info
Browse through SIFF’s 2016 Catalog

For more information, contact us at:
info@syrosfilmfestival.org

Submissions
submissions@syrosfilmfestival.org

Press
press@syrosfilmfestival.org

Postal Address
Syros International Film Festival (SIFF)
P.O. Box 19
84100 Syros, Cyclades, Greece

SIFF 9

Archive

SIFF 9: Off Season, continued

How to interpret the phrase “Off Season” when the prospect of restarting touristic activity seems distant and uncertain? What is “outside” and what is “within” an era in a period that has disturbed our perception of time itself, forced as we are to focus on the urgent circumstances of the present, on the imperative “here-and-now”?

SIFF 7

Archive

SIFF 7: Overexposure

A creative exploration of “Overexposure” as a phenomenon that spans from the photographic film to information overload, from natural disasters to the vulnerability of the human body, and beyond.

SIFF 8

Archive

SIFF 8: Off Season

What is “off season” when the prospect of re-starting widespread tourism seems risky and uncertain? What constitutes “off” and “high” season in a period that has disrupted our very perception of time, making us focus only on the urgent condition of the present moment (the imperative here and now)? What is the relationship between “off season” and “off -line”? SIFF calls on the restorative power of cinema to address this set of questions to its audience, inviting residents and visitors not only in a collective viewing experience, but also in a collective imaginary for the seasons to come.

SIFF 6

Archive

SIFF 6: Is It Real?

Cinema is often lauded for its unique capacity to “hold a mirror up to reality,” helping us see the world and ourselves. This year’s festival program reflects the question: “Is it real?” The films come with diverse answers, from classic works of Direct Cinema to films that play with constructing “real” places, to the manipulations of history and memory, to live, performative intervention into the film strip/digital file itself.

SIFF 5

Archive

SIFF 5: Cracking Up

Films about madness and insanity, films that cause their audience to laugh hysterically, films that tackle the fragmentation and disintegration of societies, films about natural and manmade catastrophes… True to the throes of a good crisis, the theme has led to ideas, films, and sub-programs that work together in synergy, reflecting and amplifying one-another’s manias in concert.

SIFF 3

Archive

SIFF 3: Where: Cinemas of Place

What is the ‘place’ of film? SIFF 3 explored the theme “Where: Cinemas of Place,” placing this query in different sites of transmission, from church to amphitheater to naval yard, inviting us to extend this vision to other realms of cinema.